Karachi — Renowned Pakistani screenwriter Huma Nafees has officially distanced herself from the ongoing television drama “Behroopia”, airing on ARY Digital, claiming the final on-air version deviated significantly from her original script and creative vision.
In a detailed social media statement, Nafees expressed her disappointment, stating that she no longer wishes to be associated with the drama due to the extent of unapproved changes made during the production process. She alleged that key dialogues, character arcs, and thematic elements were altered without her consent, leading to a final product she says misrepresents her work.
“I want to make it clear that the drama being aired is not the one I wrote,” she said. “The essence, the messaging, and even the basic character integrity have been compromised.”
The drama “Behroopia,” which features a high-profile cast including Saboor Aly and Asad Siddiqui, has received mixed reactions from viewers. While some appreciate the performances and production quality, others have criticized the plot for lacking depth and clarity—concerns now echoed by its original writer.
Industry insiders note that this is not the first time a Pakistani drama writer has raised objections to post-script alterations. The incident reignites the long-standing debate over creative control, editorial transparency, and the treatment of writers in the country’s television industry.
Huma Nafees, known for her compelling storytelling and socially driven scripts, emphasized the importance of respecting a writer’s contribution, urging production houses and channels to maintain integrity and transparency throughout the creative process.
“Writers are the backbone of storytelling. If our work is going to be rewritten beyond recognition, there must be accountability,” she added.
ARY Digital has yet to issue a response to the controversy. However, the issue has sparked considerable debate on social media, with fans and fellow writers expressing solidarity with Nafees and demanding greater protection for screenwriters in Pakistan.
As the conversation around intellectual property rights, script ownership, and writer recognition gains momentum, many hope this case will lead to better practices within the entertainment industry, ensuring that creative voices are not sidelined in pursuit of ratings or commercial viability.
